Tales From Wolf Mountain
A bevy of continually strange and occasionally macabre stories from the creative minds behind Wolf Mountain Workshop - Monte D. Monteleagre and Alexander Wolfe. It is our home for short-run audio fiction.
Join us around the fire.
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Season 1 (12 Episodes): Voices From The Umbra
The collected recordings of four survivors of an apocalypse on Other-Earth where people are combined together into monstrosities, or thrust aloft to dangle from organs that once gave them life.
Season 2 (2 Episodes): Double Feature
Two short radio plays, the first following three people trying to escape their lives and the second following a man trapped in his.
Season 3 (5 Episodes): Genuine Radio
Either a collection of radio broadcasts from Wolf Mountain and the surrounding areas, or is a vain attempt to turn what might well have been an award winning breakdown into something resembling art.
Season 4 (9 Episodes): The City Unending
A guide for those Pilgrims who will soon come of age and be called West comprised of stories collected from The City Unending.
Season 5 (31 Short Episodes): The Book of Ezekiel Bradshaw
A collection of stories, sermons, and prayers from Ezekiel Bradshaw, a leader of thought and faith, who has taken pains to chronicle the world around him. Occasional prayers are lead by The Angel.
Tales From Wolf Mountain
5-9 On Violence
Offer a message for your place around the fire.
For mature audiences only. Content warnings for The Book of Ezekiel Bradshaw are at the bottom of this description.
Killer. A back alley in a big city. A nice lady in business attire. Shame.
The Book of Ezekiel Bradshaw is written by Monte D. Monteleagre and produced by Wolf Mountain Workshop.
The voice of Ezekiel Bradshaw is Monte D. Monteleagre.
Special thanks to Edie Pierce, Alexander Wolfe, and Edward Hoffman.
For more from Wolf Mountain Workshop, visit our website https://www.wolfmountainworkshop.org/
Content Warnings: Self-harm, suicide, violence, murder, drug use, cult imagery and iconography, religious imagery and iconography, manipulation, domestic abuse, abuse of children, and more.
His friends call him Killer and he likes to howl at the moon. Always carries two heavy knives on his belt, keeps them sharp, calls them his fangs.
Sure, Killer talks a big game about a time in a back alley in a big city, whichever one is on the news this week since his friends don’t tend to stick around too long, and, sure, he did kill that man in self-defense, but Killer doesn’t talk about what came after.
Killer didn’t leave that fancy room he rented in that un-named big city for four whole months, scrubbing his hands over and over again, “out damn spot,” you get the picture.
Mom’s calling him he lets the phone ring and ring, cars honk below on the street, and he got let go from that fancy finance job Jester set him up with because Killer didn’t feel like showing up anymore.
Folks knock on his door, eviction notices, court dates, cheap delivery on the credit card, beard growing longer and longer, one day Mom shows up and drags him out of that apartment and back to his hometown where he started talking to a nice lady in business attire with a degree on the wall.
Things go well, he asks her out, that would be unprofessional, he doesn’t talk to the nice lady anymore.
Now he goes to the Bowling Alley and makes friends with the other men who carry knives and guns on their belts and talk about self-defense with a hunger in their throats. In the parking lot Killer howls like a wolf and the men who are afraid of whichever big city is on the news this week all laugh.
Shame is the tool of those who would denigrate the Great Work.
